Allan Blank’s life began on December 27, 1925 in New York City. As a composer, Allan Blank was known for his contemporary pieces, utilizing instruments that often seemed strange on the surface, but would work beautifully together. Not only was Blank a talented composer with over 60 published works, he was also a dedicated professor. Teaching at several institutions, the composer ended his teaching career at Virginia Commonwealth University in 1996 to focus more on writing music. Allan Blank was married to Margot Dreyfuss Blank a painter and photographer. Sadly, he passed away on November 12, 2013 from a brain tumor.
The Allan Blank Papers consist primarily of scores (mainly in manuscript and facsimile formats) and materials related directly to his significant compositions and published materials, including programs, reviews and recordings. His compositions encompass a wide range of instrumentation and format. His works include pieces for a solo instrument, full orchestra, chamber ensemble, voice, music for children, and opera. Materials in this collection also document some of Mr. Blank’s personal and professional interests.
Need Some Inspiration? Here Are a Few Research Topics to Get You Started:
Write a biography of Allan Blank utilizing materials from his collection in your research.
Using Allan Blank’s sketchbooks, newspaper articles, and scores, write about how the Holocaust was expressed in music. (see “Poems From the Holocaust”)
Start your research on the history of Jewish composers in Virginia by exploring the Allan Blank and John Duffy Collections.
Investigate contemporary classical music methodology by using Allan Blank’s style as an example. (see Sketches and Sketchbooks, 1963-1994)
Take an in-depth look at Allan Blank’s compositional inspirations and write about how artists influence each other’s works. (see Maggie, Milly, Molly, and May SSA, undated)
Portrait of Allan Blank by Margot Blank
Visual Arts:
Performing Arts:
Potential Creative Writing Topics:
Referring to Allan Blank’s correspondence with musicians, write a series of responding letters from the composer’s perspective. (see Correspondence, 1969-2008, undated)